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MERRY CHRISTMAS!

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" Wake up, man, for you God became man." Awake, O sleeper, arise de entre los muertos; y Cristo con su luz te alumbrará. Te lo repito: por ti Dios se hizo hombre "

(de los Sermones de san Agustín, sermón 185: PL 38, 997-999).

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THE BEST PLAYER OF MARIO IS .......


ROBERTO and is MADRID SPAIN!! is 22 and is addicted to mario bros.

Roberto Iglesias a 22 years I spend 25 hours in the mario games and the championship could get Nintendo is number 1 fan and keeping the entire collection of games from mario bros first time we met.

The money I make in the competition for Nintendo to use it to buy the new Nintendo 3DS will be released next year in mid-March

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Summer Hours

Tengo siempre a mano El origen de la obra de arte de Heidegger, al que continuamente vuelvo. Texto brevísimo pero de una profundidad que se intuye notable, sobre el que hay que avanzar en oleadas sucesivas muñido del lápiz como si fuera una espada. Un recorrido insistente que lleva más de 15 años para desandar una y otra vez las escuetas páginas, que no llegan a 100.

En el comienzo Heidegger se pregunta si es el artista el que hace la obra o bien la obra that makes the artist. And finally, how the art makes them both. This establishes a first circle of concepts intended without ever achieved. Then arose a second circle, this time composed of the trilogy thing, and useful work and questions about the relationship of each. The work that is anything but is apparently in-useful, the tool that is a little thing but it's not all work and end the celebrated analysis of the "viscosity" of the thing. Heidegger

not break their circles, spinning at high speed, like those Chinese jugglers on flimsy sticks, so that their movement concepts arise. And boy, does not appear if you get dizzy. Like a doctor, Heidegger, when it seems that we abandon the senses, gives us a "Dramamine", ie an example. Clogs Van Gogh, the temple of Paestum or some poetry of Hölderlin prevent stars our head against the floor.

Much easier, but with similar effectiveness, addresses this tangle of problems in Olivier Assayas' Summer Hours , who are taking on cable these days and I saw already several times with the "collage." First the last minute, after the first twenty minutes, finally, from the quarter hour until the very end, with interruptions. A similar approach is used to dealing with Heidegger.


The story is that of a woman who dies, leaving their children an important legacy of objects of different values, starting with a house on the outskirts of Paris. However, the story is not so much of his characters, but rather that of those things about them. How things are going to reveal what these characters are each of the three children, sisters, grandchildren, the housekeeper, museum technicians, scholars, officials, the lawyer for the estate and visitors museum where some of these things will stop.

The film is also an essay on the things themselves. How the same thing is sometimes useful , other work and many others simply thing simply by its mere "viscosity." The vase stored, forgotten on the shelf is the same as in trouble is taken to receive the unexpected flowers and the vase Bracquemond also exhibited at the Quai d'Orsay to the distracted gaze of tourists.

Ultimately, Heidegger Assayas and reflect together on the art, that magnificent and mysterious device that makes things and sometimes useful work. Works that are in essence carrying more beauty than truth, or better, are beautiful in both are bearers of truth. A truth used to know and recognize, an existential truth, because it also produces an increase in vitality. For Assayas, this situation is particularly powerful, as its reflection on art is, in turn, too, in my view, a magnificent work of art.

A wonderful pearl found in the sea of \u200b\u200bzapping, just as he also comes to me, "the hour of summer."

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What I read in 2010

23) Aesthetics and history in the visual arts of Bernard BERENSON




22) Come if you save a painting of Matteo MARANGONI




21) emancipated viewer of Jacques Rancière




20) modern art theory of Paul KLEE




19) on style. Three unpublished trials of Erwin Panofsky




18) Painting. The concept diagram Of Gilles Deleuze




17) social sense of taste. Elements for a sociology of culture of Pierre Bourdieu

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16) Macbeth of William Shakespeare




15) The philosophy and mud history of José Pablo Feinmann




14) Don Juan of MOLIERE




13) Non-Places . Spaces of anonymity. An anthropology of overmodernity of Marc Auge




12) The Renaissance of Paul Johnson




11) Juan Domingo of José Ignacio García Hamilton




10) Viaggio in Italia of JW Goethe




9) Works of St. Augustine , XIa, Letters (2 º)




8) The western city of José Luis ROMERO





7) The fourfold root of the principle of sufficient reason of Arthur Schopenhauer




6) The impossible journey, Tourism and images , by Marc Auge




5) Hamlet in William Shakespeare




4) The silk fan of Lisa SEE




3 ) The Time-Image, Film Studies 2 of Gilles Deleuze




2) The Movement-Image, Film Studies 1 of Gilles Deleuze




1) Shakespeare our contemporary of Jan Kott

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Wikileaks from Jordan

Secret State EO 69202 1367893
DECL 93 / 45 / 73459
Subject. (C / NF) Judea: John / Herod Antipas
Dynamics interpersonal (C-AL4-0468932)
Classified by Philo, Director. INR / OPS Reason 2.6 (C) Before 5 days
Date Kalends iunius 783 AUC.

1. (S / NF)

on the character of John.

John is a hard man, those that draw straight lines, the enemy of valleys and ravines. Someone you might call a fundamentalist. Enjoys enormous moral prestige based primarily on their personal virtues asceticism and unquestionable. His image also has epic characteristics: high lobster and camel rags together his followers on the shores of the desert where invites further purification rites. Hence derived the name by which it is also called "Baptist" A powerful

not restless, in principle, Israel is accustomed to the prophets. It is thought better to release them because somehow the action tends to contain the people and keep your spirit. However, the attack has become unbearable Juan in recent times, even for the most tolerant. There have been accusations and diatribes directly aimed at the constituted authorities. These are times of delicate political balance, postures that are unsuitable for the tension to invite the spirits.

2. (S / NF)

On the prison.

The boldness of John ended his prison, which for some was a destination in any way desired. The path of the complaint will normally be a dead end and sometimes conceal their sterility jail says. On the other hand, the danger of John was on, as often happens in the absence of structure. It is also noteworthy that more violent than was his message, never expressed a personal political. I am informed, his speech is in this respect vague, leading him as a predecessor of another figure who will come to occupy a more important place. This other personality nothing is said to identify it and even doubt their actual existence. It may be a recurrence of vague messianic longing, always present among the Jews.




day I am informed that the strength of Machaerous, where John is in prison, take place smoothly. Even Herod lost that mind has allowed the defendant some liberties. However, that benevolence may at any time to change to cruelty, such is the flimsy nature of the sovereign, which I have already referred in my previous posts. Some of his followers have been allowed to visit him, which shows how little fear that they inspire.

3. (S / NF) Other.

In these days I have received disturbing reports of another presence in the Galilee area. It is this time of a carpenter from Nazareth, who apparently performed healings and preaching the Good News, content is still quite uncertain. While some have attempted to link this new character with Juan, which would tie in even a blood relation, the differences between them are evident. Apparently, some messengers of John had met with him, but that game does not seem to have emerged some understanding.

In a few days I will have chance to visit Machaerous, as I have been invited to a reception for the birthday of Herod Antipas. I have there chance to obtain some first hand information about what happens there and take the pulse of the situation. Will be invited all members of the court and the royal family.

(U) Please Quote C-AL4_0495843 in the subject line of reporting of above in response to questions.

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Mathematics

Time is measured from two objective facts: what it takes to turn the Earth around the Sun, combined with what turns on itself. Years and days necessarily arise from nature, while the weeks and months have the cultural imprint, with a distant hint of moon. However, the relationship between the two magnitudes objective is complex and that both movements are not a whole relationship. To put it in numbers, the Earth turns around Phoebe 365 days and coins. A kind of annoying other for centuries astronomers confused the precarious instruments that sought to wrest his secrets to heaven.

The first solution to this issue was an idea of \u200b\u200bthe time of Julius Caesar. The Roman town of practicality foolproof, they decided to add one day every four years, inventing the leap. A great idea, but somehow improvised, which left some crumbs scattered time. These wastes, imperceptible at first, were taking shape and consistency, and many years later became a problem. The accumulated time silently discarded and he had his revenge, which teaches that one should be cautious about the supposed insignificance of a second.

Gregory XIII who was a bold stroke of hand put the accounts in order. With a violent maneuver started ten days time, lost in the nothingness. Those who went to sleep on 4 October 1582 woke up the next day on 15 March. The correction made by the Pope also proposed the elimination of leap years in multiples of 100, except those that were also multiples of 400. However, this correction was insufficient, because every 3300 years the flood of seconds forgotten processed in one day.


always was a little upset this untidiness of God, the Creator makes a mathematical inaccurate. A quality that is reflected in all of nature, rebel against the entire amount. All who have ever gotten into the intricate maze of golden proportions, know what I mean. God makes the Pythagorean harmonies seem a grocer accounts.

However, when I think of it, I realize a hidden message that is part of this apparent inaccuracy. No doubt the universe reduced to integer quantities would have been too easy to tame. Creation had been too well at the mercy of our intelligence, much to the hand. These amounts spurious become unmanageable over time, basically reflect a healthy distance between the infinity of God and our limited happen. Contemplative time I go into those endless series of numbers that refuse to be encapsulated by man. Perhaps these subtle threads of time are loose threads from which God mysteriously manages history, without therefore condition our freedom.

A God that is expressed in whole numbers would, ultimately, a human God, all too human.