00. Introduction
military exercise, colimba memories. Where do I go? A nearest cover, how am I going? A career and zig-zag, Where do I go? For the shortest path.
knowledge as a safe place. Leaving the security, the "cover" of formal studies to address a new territory. Out into the open is, in fact, what does all thinking.
The vast territory of painting implies the need for referrals. Painters and brands from which organize a tour. Apostles as a criterion of choice, not the best but those capable of telling a story. The attempt, based on that evidence, to develop a history of painting.
The way forward in this new territory. The contradiction of it in "zig-zag" and "the shortest way." Overcoming the contradiction: the discourse and the superficial and deep zigzagging straight. The erratic speech reveals / hides a depth of meaning. Occam's razor.
The need to define a guideline for getting lost in the discourse necessarily zigzagging. Painting as a multifaceted reality and the ability to choose many ways to develop his story. The definition of Gilles Deleuze painting: "Painting is the modulation of an idea of \u200b\u200bspace."
Modular: to make understandable a signal. Every time a buzzer. That signal is always present inexorably, is a particular idea of \u200b\u200bspace. The painting is in charge of expressing it, making it visible. The space is a set of relationships. The position of things in space is significant, express power relations. Nietzsche would say, the painting is the revelation of the will of po der.
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