Are Kidney Or Gallstones More Painful

Raptor - RPZ The Clan (1997)

Tracks:

01. Clan

RPZ

02. We are what we feel (to fuck)

03. Your Cowardice

04. Criminal

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In 1997 the group of La Paz called "RAPTOR" Bolivian first rap group, released their second under the name "RPZ The Clan" which has 4 excellent tracks, in which Gunar Quino / Ser Mc / Dj BM and Sergio Loayza a hip hop show high level. It says that lack of support for hip hop in the context of 1997, played in rock event, in which they take side with the hip-hop Bolivia.

The first record we can see the message left by:

"Thanks to all who have supported us, which got no excuse at our age, to do some serious Rap. Above all thank God for life and music. FOR SOMETHING THAT STARTED MANY MAY CONTINUE IN BOLIVIA

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Raptor - In the Street (1995)

Tracks:

01. The intro RAPTOR

02. From the street

03. Latinos

04. The king of the dance (break)

4Shared:

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"RAPTOR" is the first rap group Bolivia which on record, made by Gunar Quino (Ser Mc) and Sergio Loayza (DJ), both from La Paz. Raptor was also the first group released their first album on vinyl in 1995, including the first issue of Bolivian breakdance. The album "In the street" contains 4 excellent tracks, no doubt a relic for the hip-hop Bolivia.

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Apostles Apostles painting I paint



01. First Apostle

SIMONE MARTINI (Siena, 1284 - Avignon, 1344)

Where to start a story. Altamira, Egypt, Rome, Byzantium, Ravenna: painting out of space. The pictorial space is the world in Siena in the mid-thirteenth century. Siena features, spatial and color. Ortega and the concept of "geographical reason." Possible community of artists and bliss of it. The laborious act of "huffing" to enter space in the paint. "Blow" as a dimension spiritual. Duccio, master of the Sienese school. Early

Simone Martini and belonging. Marriage to Filippo Memmi's sister, inbreeding painting. First order: the Maestá the Palazzo Comunale of Siena (1318). Differences with Duccio, individualization of the characters, naturalness of the figures, spatiality of the "canopy." Fresco: Italian technique par excellence, some characteristics. The importance of blue.

recognition and call to Assisi, the center of the pictorial culture of Trecento . The history of San Martín de Tours in ten episodes (1320). Psychological relationships between the characters. The space as a source of psychological depth. The importance acquired by secondary characters when the story. The musicians, German soldiers, the curious. Skeptic's praise in the healing of the child. Spiritual exaltation of the figure of San Martín, a man of action and prayer, never violence. Taking

political: the portrait of the king of Naples, Robert of Anjou (1317). The first secular icon in the history of painting. A pictorial theological-political treatise. Spinoza. The Road to Power, where it comes from and where it goes. Supremacy of the theology of politics. Need for legitimation of power. Ludwig of Toulouse, brother of the king, allows access to resign the crown and validates it with his holiness. Other examples of coronations: Ruggero II and Napoleon.

Back to Siena and the altarpiece of Agostino Novello (1324). Life of Saint Augustine. Friendship Manfredi in Bologna and called to the court of Palermo. Death of Manfredi (Purgatorio III), wounded and purpose of political dream. Admission to the Augustinian order and concealment of his person. The trial and the revelation of his wisdom. Augustinian Prior and confessor to Popes. Retirement and death. The main figure, the book and the angel. The four proposed single miraculous apparitions Simone. A saint of "civil support."

Guidoriccio da Fogliano (1328) on the wall opposite the Maestà . The civil plea. The figure of condottiero and its comparison with the player engaged. The symbolism of the portrait in profile. The loneliness of that "leading." Castles trophies taken in the Maremma in the war against Pisa. The desert landscape. The variety of realistic details, fences dunks. The price of a miniaturist, clothes horse.

The Annunciation of the Uffizi, his most famous work. The early withdrawal on a classic comeback. The golden background and the lack of space. The figure of the Virgin, the painter's psychological depth to capture the "turmoil." The breakdown of the profile of Mary and the position of the hands. Las palabras escritas, el “comic”. El regreso a la construcción de un ícono y los recelos de la iconografía.

Final en la corte Papal de Avignon. Importancia de la figura de Simone Martini en la difusión de la escuela de Siena en el resto de Europa. El gótico internacional. Amistad con Petrarca y la leyenda del retrato de Laura, la musa inspiradora de su poesía. El verso que atestigua dicha leyenda.

« Ma certo il mio Simon fu in paradiso,
Onde questa gentil donna si parte;
Ivi la vide e la ritrasse in carte,
Per far fede quaggiù del suo bel viso ».

(Ciertamente Simón fue al paraíso
adonde esta bella dama partió. There
saw her and her portrait was
to give here a testament to their beauty).

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0 2011

00. Introduction

military exercise, colimba memories. Where do I go? A nearest cover, how am I going? A career and zig-zag, Where do I go? For the shortest path.

knowledge as a safe place. Leaving the security, the "cover" of formal studies to address a new territory. Out into the open is, in fact, what does all thinking.

The vast territory of painting implies the need for referrals. Painters and brands from which organize a tour. Apostles as a criterion of choice, not the best but those capable of telling a story. The attempt, based on that evidence, to develop a history of painting.

The way forward in this new territory. The contradiction of it in "zig-zag" and "the shortest way." Overcoming the contradiction: the discourse and the superficial and deep zigzagging straight. The erratic speech reveals / hides a depth of meaning. Occam's razor.

The need to define a guideline for getting lost in the discourse necessarily zigzagging. Painting as a multifaceted reality and the ability to choose many ways to develop his story. The definition of Gilles Deleuze painting: "Painting is the modulation of an idea of \u200b\u200bspace."

Modular: to make understandable a signal. Every time a buzzer. That signal is always present inexorably, is a particular idea of \u200b\u200bspace. The painting is in charge of expressing it, making it visible. The space is a set of relationships. The position of things in space is significant, express power relations. Nietzsche would say, the painting is the revelation of the will of po der.

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not judge me - SAMI (2011)

Tracks:

01. Enter

02. Seeking

03.

well

Conoscame 04. That Great Love (Mc Lirico)

05. This is so

06. Talk about everything (with Lizo Mestizo)

07. Dear Qllo (Mc Lirico)

08. Do not judge me

09. RIP (with RO and Sijam)

10. I (with RO)

11. Secret Life

12. Moving Forward

13. Silence

14. A day without sunshine

15. Wandering

16. The Guerrilla (with RO, Nehru, Alexs, Mc Lirico, Mario, Coco and Lizo Mc Mestizo)

17. All for me (with Mc Coco)

18. Dedikado

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From Quillacollo - Cochabamba, SAMI (Leaving The World Independently) presents its first material entitled "Do not judge me", 18 tracks, with the shares of Mc Lirico, Lizo Mix, Mc Coco, El Ro, Sijam, Nehru, Alexs and Mario. This album was recorded and produced by Lizo Blood on AV Records.

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course

( flyer design: Rocío González Clement,
www.behance.net / rgcdesign )

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GOSHHHHHH

was checking comments, blogs and all that and I realized something (if you do not see fences in the bottom and check the entry of ¨ ¨ But such first read the entry)

I put to qualify a fun (weno) more or less and suck (not like me) and someone put a ¨ no me ¨ and is like THE WORST OF THE BLOG !!!:(

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Home Visit to the seven churches

( With Vero comments )

1) Maria Auxiliadora


14:25 to 14: 40

Linda, highly decorated and "painted" vertigo gave me the 2 nd floor because it was too high and Mom. Carli church where he married, and very beautiful Romanesque dome on the inside .


2) Our Lady of Caacupé


14:45 to 14:55

Simple: white wooden floor Romanesque style, it comes from behind, very ugly source.


3) St. Mary Parish


15:00 to 15:15

bricks inside and out, white stone columns, lunettes painted, beautiful chapel where was the monument. I liked a picture of the Sacred Heart and one of the Last Supper of Leonardo da Vinci gold.


4) Mary Mother of the Church


15:30 to 15:35

very small and simple, I did not like. Modern, high above the street, without a facade, there was no monument.


5) Our Lady of Lourdes


15:45 to 15:55

I liked. It has two very beautiful caves and many plates of thanks to the Virgin and a very nice 3D Via Crucis.


6) Santa Julia


16:00 to 16:10

Romanesque style, one color, stone, few images (stripped). There was a very nice patio.


7) Good Shepherd Parish


16:35 to 16:40

Me liked. I also liked a picture of the Good Shepherd and a Via Crucis very nice painting. The altar is at the center because it is a Latin cross church.

End of tour.

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O MY PEACH PEACH AND MORE

AS I looked for images Peach and found these:

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What I read in 2011

14) Aesthetics and Politics,
of Walter Benjamin




13) Ways of Seeing, John Berger
of




12) Art and creation ,
The aesthetic paths of , Marta
of ZÁTONYI




11) History look ,
of Eduardo del Estal




10) Metaphysics and beauty ,
of Eugène DELACROIX




9) Cezanne: a study of their evolution , Roger Fry





8) How looking at a painting,
Susan WOODFORD




7) Writings on Art (1934-1969) , Mark ROTHKO
of




6) Point and Line to Plane.
Contribution to the analysis of the pictorial elements , Wassily Kandinsky
of




5) bag size ,
of John BERGER




4) Dialectic of Enlightenment ,
of Max Horkheimer and Theodor W.
ADORNO




3) The invention of the art.
A Cultural History, Larry SHINER
of




2) Azul. History
color, Michel PASTOREAU
of




1) New York, Edward Rutherfurd
of