Over time I came to some firm conclusions. The best days for eating out is on Friday night. And on Saturday morning it is to watch movies on TV, which in turn is the best way to watch movies. Film in the cinema ago I left a couple of years, and the DVD never produce the joy that produces the TV. For something is proven to produce a dream DVD irreversible. My wife knows like nobody else.
Undoubtedly the film on TV that is linked to every event that occurs when it is scheduled, when is truly such. Knowing that what we see is the result of an unlikely coincidence arising from a frenetic zapping it produces surprising vitality. Movies on TV are not seen, but "fish" and this is an ancestral activity achieves its purpose when you can not hide the joy. All fishing as possible, is miraculous.
preference on Saturday morning the reason is rooted in the confusion which probably produces this time on programmers. I guess it must be a tacit agreement, the product of a painstaking study of the market, which upholds the Friday night one wants to watch scary movies. I never want to see them. In contrast, public on Saturday at nine in the morning is apparently very difficult to determine and thus frees the programmer from the yoke of the interviewer. Freedom is always a profit.
This was the case this Saturday when I saw the exquisite 500 days with it, the original title 500 days of Summer is more effective but it is untranslatable, because no one is called Summer. The comedic story raises a profound issue: the freedom from fate. Tom's romantic belief in terms of that love is the result of a destiny inevitable clash with the pragmatic view of Summer, unwilling to compromise, even the minimum imposed by nominalism. The relationships that can never overcome this initial hurdle, that neither love nor will be dissolved. The development, in short, is a trip that is a perfect castle in which to convince each other of their position, but without involving the other in the future.
often abandon our beliefs when reality does not match the effect we expect that the first would produce on the second. The will to believe that we make us forget that walking the world many times is responsible for denying what we believe. He does not bear the gap between the ideal and the real thought accomplished is what drives us to abandon. However, where ideals is mysteriously fail where they will reveal more real. Tom, Summer and we must learn that fate and freedom are complex realities sometimes complementary, but not exclusive. Both mysteriously existence is woven.
say deep things lightly is a credit to hard to reach. The story appeals to all conceivable resource that film as linguistic mechanism makes available. Perhaps this might upset some, but the verbiage is an overabundance of resources which is treated as it is never taken seriously. You can also so others can not stand the apparent lightness of a romantic comedy. To this is applied to the sentence of Zarathustra: "None of you has learned to dance as it should dance ... to dance above your heads."
Dancing on serious things are possible especially on a Saturday morning, when Monday is still too far.
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